This is a guest post from my friend and client Cathy Ann Connelly, who recently completed the “Trickster Makes the World” module of the Create Your Own Story course.
Definition: In painting, an underpainting is a first layer of paint applied to a canvas or board and it functions as a base for other layers of paint. It acts as a foundation for your painting and is a great way to start your painting off with some built in contrast and tonal values.
The attributes of Trickster in any culture, era, or life all add up to being one thing—a change agent.
To embody the Trickster attributes in our lives can be intense as we refine how to make change a friend rather than an anxiety-producing enemy.
And yet, isn’t that what we want? To be able to enact change? To develop more intensity—more juiciness—in our daily lives? And believe me, you don’t get that unless you make friends with your inner Trickster and Trickster’s sometimes more challenging attributes.
So, it occurred to me that overcoming some of the resistance to the Trickster package might be eased if we examine one of Trickster’s less alluring attributes through a different lens. The attribute I’ve chosen to look at in a different way is that of destruction—an essential element for change, but one we often shy away from.
Destruction or Under- and Over-painting?
I’m in no way a professional artist, but I do like creating visual art—taking painting classes and learning new techniques.
Along my art journey there have been two thoughts that totally match the concept of destruction as integral to creating something wonderful:
- Nothing is so precious that you shouldn’t be willing to paint over it—because anything can be recreated or improved upon, and
. - Underpainting is critical to producing a great work of art—and anything you create and don’t like can simply be called underpainting (the constructive act of destruction)!
Both these concepts tell me that in my entire life, nothing is useless, wasted, broken, or ruined, and that everything “destroyed” contributes to something better—even if the little parts I once thought were “perfect” have disappeared from view. In essence, everything can be seen as a jumping off point to be improved upon, full of surprises, and all of it can be viewed as valuable under- or over-painting for the next round of creativity in life.
Often, I find that simply playing with marks, colors, and images on a canvas—and then painting over them again and again—results in “changed art” that I could never have created through a controlled, single layer of predetermined brushstrokes. It is often the things that show through—the uncontrolled, playful surprises—that I take advantage of and embrace to make a painting far better than its original, solo layer.
Even if a specific corner of a painting starts to seem special and precious to me, and somehow I linger over the concept of preserving it, I force myself to paint over it if the entire canvas needs another rework.
It is the willingness to do this—to embody destructive change—that for me is juicy and that I ultimately know will produce even better results.
It is the very act of embracing the under- and over-painting that in and of itself can bring change that is wonderful, renewing, and liberating. It is the act that brings the juice of Trickster-change to my world.
Creative Destruction in Life
Outside my art, I believe I try to embody the Trickster attribute of creative destruction when traveling through liminal space—the threshold space of change. When my narrator tells me, “I know what’s going on and I can out think the things trying to run you off the path we’ve charted,” often that proves just downright silly. Liminal space is all about exploring alternate paths, often “destroying” the one you’ve started down. Who knows, just because you’ve started off one way doesn’t mean going a different way isn’t juicier, and might not be a better over- painting route to your desired destination. How can you know? After all, that first path might just be under-painting for the greater work emerging.
“Paint” with your personal agency and try out another path that could have fewer obstacles and might be a hundred times juicier. It’s uncomfortable, but “destroying” our “I know best” attitude with Trickster’s influence is exactly what gets us the change we want.
Cathy Ann Connelly lives in New Mexico and takes Farther To Go! classes because they’re juicy for exploring how to better use her brain for what she wants it to do, rather than her brain using her. Currently, her focus is on reawakening her own Trickster while encouraging new, longer-term intentions. This blog post sprung from that focus.
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